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¡¶Áò»Çµº¼ÒÊé¡·(Letters from Iwo Jima)
¡¶Å®Íõ¡·(The Queen)
¡¶Í¨ÌìËþ¡·(Babel)

2006£¨78½ì£©
»ñ½±£º¡¶³åײ¡· Crash
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¡¶¶Ï±³É½¡·Brokeback Mountain
¡¶¿¨²¨ÌØ¡· Capote
¡¶Íí°²£¬ºÃÔË¡· Good Night, and Good Luck
¡¶Ä½ÄáºÚ¡·Munich

2005£¨77½ì£©

»ñ½±£º¡¶°ÙÍòÃÀÔª±¦±´¡·(Milloin Dollar Baby)
ÌáÃû£º
¡¶·ÉÐÐÕß¡·(The Aviator)
¡¶±­¾ÆÈËÉú¡·(Sideways)
¡¶Ñ°ÕÒÃλõº¡·(Finding Neverland)
¡¶Àס·(Ray)

2004 µÚ76½ì
»ñ½±£º¡¶Ö¸»·Íõ3£ºÍõÕ߻ع顷(THE LORD OF THE RINGS: THE RETURN OF THE KING)
ÌáÃû£º
¡¶ÃÔʧ¶«¾©¡·(LOST IN TRANSLATION)
¡¶Å­º£Õù·æ¡·(MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD)
¡¶ÉñÃغӡ·(MYSTIC RIVER)
¡¶±¼ÌÚÄê´ú¡·(SEABISCUIT)

2003
»ñ½±£ºChicago (2002) Ö¥¼Ó¸ç
ÌáÃû£º
Pianist, The (2002) ¸ÖÇÙʦ
Lord of the Rings: The Two Towers, The (2002) ħ½ä¶þ²¿Çú©¤Ë«³ÇÆæı
Hours, The (2002) ʱʱ¿Ì¿Ì
Gangs of New York (2002) ŦԼ·çÔÆ

2002
»ñ½±£ºBeautiful Mind, A (2001) ÃÀÀöÐÄÁé
ÌáÃû£º
Moulin Rouge! (2001) ºìÄ¥·»
Lord of the Rings: The Fellowship of the Ring, The (2001) ħ½äÊײ¿Çú£ºÄ§½äÏÖÉí
In the Bedroom (2001) ÒâÍâ±ßÔµ
Gosford Park (2001) ÃÕÎíׯ԰

2001
»ñ½±£ºGladiator (2000) ½Ç¶·Ê¿
ÌáÃû£º
Wo hu cang long (2000) ÎÔ»¢²ØÁú
Traffic (2000) ¶¾Íø
Erin Brockovich (2000) ÓÀ²»Í×Э
Chocolat (2000) ŨÇéÇÉ¿ËÁ¦

2000
»ñ½±£ºAmerican Beauty (1999) ÃÀ¹úÀöÈË
ÌáÃû£º
Sixth Sense, The (1999) ÁéÒìµÚÁù¸Ð
Insider, The (1999) ¾ÖÄÚÈË
Green Mile, The (1999) ÂÌÉ«Ææ¼£
Cider House Rules, The (1999) ×ÜÓн¾Ñô

1999
»ñ½±£ºShakespeare in Love (1998) Áµ°®ÖеÄɯʿ±ÈÑÇ
ÌáÃû£º
Vita ¨¨ bella, La (1997) ÃÀÀöÈËÉú
Thin Red Line, The (1998) ºìÉ«¾¯½ä
Saving Private Ryan (1998) Õü¾È´ó±øÈð¶÷
Elizabeth (1998) ÒÁÀòɯ°×

1998
»ñ½±£ºTitanic (1997) ̩̹Äá¿Ë
ÌáÃû£º
L.A. Confidential (1997) Ä»ºóÏÓÒÉ·¸
Good Will Hunting (1997) ½¾ÑôËÆÎÒ
Full Monty, The (1997) Ò»Íѵ½µ×
As Good As It Gets (1997) èʺÏÈÉú

1997
»ñ½±£ºEnglish Patient, The (1996) Ó¢¹ú²¡ÈË
ÌáÃû£º
Shine (1996) ÉÁÁÁµÄ·ç²É
Secrets & Lies (1996) ÃØÃÜÓë»ÑÑÔ
Jerry Maguire (1996) ÌðÐÄÏÈÉú
Fargo (1996) ±ùÑ©±©

1996
»ñ½±£ºBraveheart (1995) Ó¸ҵÄÐÄ
ÌáÃû£º
Sense and Sensibility (1995) ÀíÖÇÓëÇé¸Ð
Postino, Il (1994) ÊÂÏÈÕÅÑïµÄÇó°®Ê¼þ
Babe (1995) СÖí±¦±´
Apollo 13 (1995) °¢²¨ÂÞ13ºÅ

1995
»ñ½±£ºForrest Gump (1994) °¢¸ÊÕý´«
ÌáÃû£º
The Shawshank Redemption (1994) ФÉê¿ËµÄ¾ÈÊê
Quiz Show (1994) »úÖÇÎÊ´ð
Pulp Fiction (1994) µÍË×С˵
Four Weddings and a Funeral (1994) Ëĸö»éÀñÒ»¸öÔáÀñ

1994
»ñ½±£ºSchindler's List (1993) ÐÁµÂÀÕµÄÃûµ¥
ÌáÃû£º
Remains of the Day, The (1993) ¸æ±ðÓÐÇéÌì
Piano, The (1993) ¸ÖÇÙ±ðÁµ
In the Name of the Father (1993) Òò¸¸Ö®Ãû
Fugitive, The (1993) ÍöÃüÌìÑÄ

1993
»ñ½±£ºUnforgiven (1992) ²»¿ÉÈÄË¡
ÌáÃû£º
Scent of a Woman (1992) ÎÅÏãʶŮÈË
Howards End (1992) ´ËÇé¿ÉÎÊÌì
Few Good Men, A (1992) Ò庣ÐÛ·ç
Crying Game, The (1992) ¿ÞÆüÓÎÏ·

1992
»ñ½±£ºSilence of the Lambs, The (1991) ³ÁĬµÄ¸áÑò
ÌáÃû£º
Prince of Tides, The (1991) ³±ÀËÍõ×Ó
JFK (1991) ¾ªÌì´ó´Ìɱ
Bugsy (1991) Ò»´úÇéèɱÏ˹
Beauty and the Beast (1991) ÃÀÅ®ÓëÒ°ÊÞ

1991
»ñ½±£ºDances with Wolves (1990) ÓëÀǹ²Îè
ÌáÃû£º
Goodfellas (1990) ºÃ¼Ò»ï
Godfather: Part III, The (1990) ½Ì¸¸µÚÈý¼¯
Ghost (1990) È˹íÇéδÁË
Awakenings (1990) ÎÞÓïÎʲÔÌì

1990
»ñ½±£ºDriving Miss Daisy (1989) Ϊ´÷ÜçС½ã¿ª³µ
ÌáÃû£º
My Left Foot (1989) ÎÒµÄ×ó½Å
Field of Dreams (1989) ÃλÃÖ®µØ
Dead Poets Society (1989) ´º·ç»¯Óê
Born on the Fourth of July (1989) ÉúÓÚÆßÔÂËÄÈÕ

1989
»ñ½±£ºRain Man (1988) ÓêÈË
ÌáÃû£º
Working Girl (1988) ÉÏ°àÅ®ÀÉ
Mississippi Burning (1988) ÁÒѪ±©³±
Dangerous Liaisons (1988) ΣÏÕ¹Øϵ
Accidental Tourist, The (1988) ÒâÍâµÄÂÿÍ

1988
»ñ½±£ºLast Emperor, The (1987) Ä©´ú»ÊµÛ
ÌáÃû£º
Moonstruck (1987) ÔÂÉ«ÁÃÈË
Hope and Glory (1987) Ï£ÍûÓëÈÙÒ«
Fatal Attraction (1987) ÖÂÃüµÄÎüÒýÁ¦
Broadcast News (1987) ÊÕ²¥ÐÂÎÅ

1987
»ñ½±£ºPlatoon (1986) Ò°Õ½ÅÅ
ÌáÃû£º
Room with a View, A (1986) ¿´µÃ¼û·ç¾°µÄ·¿¼ä
Mission, The (1986) ½Ì»á
Hannah and Her Sisters (1986) ººÄȽãÃÃ
Children of a Lesser God (1986) ±¯Á¯Éϵ۵ÄÅ®¶ù

1986
»ñ½±£ºOut of Africa (1985) ×ß³ö·ÇÖÞ
ÌáÃû£º
Witness (1985) Ö¤ÈË
Prizzi's Honor (1985) ÆÕÀï×ȼÒ×åµÄÈÙÓþ
Kiss of the Spider Woman (1985) Ö©ÖëŮ֮ÎÇ
Color Purple, The (1985) ×ÏÉ«

1985
»ñ½±£ºAmadeus (1984) ĪÔúÌØ´«
ÌáÃû£º
Soldier's Story, A (1984) ´ó±ø
Places in the Heart (1984) ÎÒÐÄÉî´¦
Passage to India, A (1984) Ó¡¶ÈÖ®ÐÐ
Killing Fields, The (1984) Õ½»ðÍÀ³Ç

1984
»ñ½±£ºTerms of Endearment (1983) ĸŮÇéÉî
ÌáÃû£º
Tender Mercies (1983) ÎÂÈáµÄÁ¯Ãõ
Right Stuff, The (1983) Õ÷¿ÕÏÈ·æ
Dresser, The (1983) ½üÉí
Big Chill, The (1983) ɽˮÓÖÏà·ê

1983
»ñ½±£ºGandhi (1982) ¸ÊµØ´«
ÌáÃû£º
Verdict, The (1982) ´óÉóÅÐ
Tootsie (1982) ñºñ»ÊçÄÐ
Missing (1982) ʧ×Ù
E.T. the Extra-Terrestrial (1982) ÍâÐÇÈËE.T.

1982
»ñ½±£ºChariots of Fire (1981) »ðµÄÕ½³µ
ÌáÃû£º
Reds (1981) ·é»ð³àÑæÍòÀïÇé
Raiders of the Lost Ark (1981) ¶á±¦Ææ±ø
On Golden Pond (1981) ½ðÉ«³ØÌÁ
Atlantic City (1980) ´óÎ÷Ñó³Ç

1981
»ñ½±£ºOrdinary People (1980) ÆÕͨÈË
ÌáÃû£º
Tess (1979) ̦˿
Raging Bull (1980) ·ßÅ­µÄ¹«Å£
Elephant Man, The (1980) ÏóÈË
Coal Miner's Daughter (1980) ¿ó¹¤µÄÅ®¶ù

1980
»ñ½±£º
Kramer vs. Kramer (1979) ¿ËÀ³Ä«·ò¸¾
ÌáÃû£º
Norma Rae (1979) ŵÂêÈï
Breaking Away (1979) Í»ÆÆ
Apocalypse Now (1979) ÏÖ´úÆôʾ¼
All That Jazz (1979) ¸¡ÉúÈôÃÎ

1979
»ñ½±£ºDeer Hunter, The (1978) ÁÔ¹ÈË
ÌáÃû£º
Unmarried Woman, An (1978) ²»½á»éµÄÅ®ÈË
Midnight Express (1978) ÎçÒ¹¿ì³µ
Heaven Can Wait (1978) ÌìÌÿÉÒԵȴý
Coming Home (1978) ·µÏç

1978
»ñ½±£ºAnnie Hall (1977) °²ÄÝ¡¤»ô¶û
ÌáÃû£º
Turning Point, The (1977) תÕÛµã
Star Wars (1977) ÐÇÇò´óÕ½
Julia (1977) ÜïÀòÑÇ
Goodbye Girl, The (1977) ÔÙ¼ûÅ®ÀÉ

1977
»ñ½±£ºRocky (1976) ÂåÆæ
ÌáÃû£º
Taxi Driver (1976) µÄʿ˾»ú
Network (1976) µçÊǪ́·çÔÆ
Bound for Glory (1976) ±¼Ïò¹âÈÙ
All the President's Men (1976) ¾ªÌì´óÒõı

1976
»ñ½±£ºone Flew Over the Cuckoo's Nest (1975) ·ÉÔ½·èÈËÔº
ÌáÃû£º
Nashville (1975) ÄÉ˹ά¶û
Jaws (1975) ´ó°×öè
Dog Day Afternoon (1975) Ñ×ÈȵÄÏÂÎç
Barry Lyndon (1975) ÂÒÊÀ¶ùÅ®

1975
»ñ½±£ºGodfather: Part II, The (1974) ½Ì¸¸Ðø¼¯
ÌáÃû£º
Towering Inferno, The (1974) »ðÉÕĦÌìÂ¥
Lenny (1974) Á¬Äá´«
Conversation, The (1974) ¶Ô»°
Chinatown (1974) ÌÆÈ˽Ö

1974
»ñ½±£ºSting, The (1973) Æ­ÖÐÆ­
ÌáÃû£º
Viskningar och rop (1972) ¿ÞÆüÓë¶úÓï
Touch of Class, A (1973) ½ðÎÝ´ºÏü
Exorcist, The (1973) ÇýħÈË
American Graffiti (1973) ÃÀ¹ú·çÇé»­

1973
»ñ½±£ºGodfather, The (1972) ½Ì¸¸
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Utvandrarna (1971) ´óÒÆÃñ
Sounder (1972) ¶ù×ÓÀë¼Òʱ
Deliverance (1972) ¼¤Á÷ËÄÓÂÊ¿
Cabaret (1972) ¸èÌü

1972
»ñ½±£ºFrench Connection, The (1971) ·¨¹ú··¶¾Íø
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Nicholas and Alexandra (1971) ¶í¹¬ÃØÊ·
Last Picture Show, The (1971) ×îºóÒ»³¡µçÓ°
Fiddler on the Roof (1971) Îݶ¥ÉϵÄСÌáÇÙÊÖ


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¡¡¡¡F1: The Horse Whisperer
¡¡¡¡F2: The Ghost
¡¡¡¡F3: Sound of Music
¡¡¡¡F4: One-Runaway Bride
¡¡¡¡F5: Jane Eyre
¡¡¡¡F6: Roman Holliday
¡¡¡¡F7: Gone with the Wind
¡¡¡¡F8: The Shawshank Redemption
¡¡¡¡¢ñ. Questions
¡¡¡¡In this section, there are 16 questions about the 8 films listed above; you are to choose 8 of them to answer in complete sentences. (48%)

¡¡¡¡1. Make a brief introduction about Tom Booker in F1?
¡¡¡¡Answer:The story is about after girl named Geris who was 14 years old and her favourite horse were both injured,the girl¡¯s heart was badly hurt,then she was not willing to speak any more.Her mother,Annie, knew that her destiny was contacted with the horse tightly.So she tried every method to find someone who could communicate with horses,and finally ,she succeeded,the man lived in Montana called Tom.With the help of Tom ,Geris regained her confidence of life,while Tom and Annie experienced a love that couldn¡¯t be coalescent.

¡¡¡¡2. F1 is a simple plot line but conveys a heart-felt message, what is it?
¡¡¡¡Answer: Each of them takes their own paths but make it through some trying times, emerging stronger than when they began.

¡¡¡¡3. Who killed Sam and Why in F2?
¡¡¡¡Answer:He was robbed when come back from a play

¡¡¡¡4. To whom did Oda Mae make out the money and Why in F2?
¡¡¡¡Answer:To Carl for he didn't want he get the money.

¡¡¡¡5. Why does Captain Von Trap treat his children like in an army in F3?
¡¡¡¡Answer:Because his children had no mother,he hope all his children to be great .

¡¡¡¡6. Why do they sing in the Festival in F3?
¡¡¡¡Answer:They sang the "The Sound of Music¡± for Mary was leaving.

¡¡¡¡7 What decision had Ike made in order to find out the truth in F4?
¡¡¡¡Answer:He wanted to write a subject based on the woman¡¯s story and lampooned it.

¡¡¡¡8. Why did Maggie change her mind to cooperate with Ike in F4?
¡¡¡¡Answer:Because she felt discomfitured with the subject he wrote when she was ready to marry to her forth husband.

¡¡¡¡9. Why is Jane so determined to leave Mr. Rochester in F5?
¡¡¡¡Answer:Because she found that Robert had already married.

¡¡¡¡10. How do the dialogues between Jane and Mr. Rochester display Jane¡¯s character in F5?
¡¡¡¡Answer:The way she showed love is equal for each other and not other else,so the dialogue was flat but touching.

¡¡¡¡11. Why did Princess Ann run out of the palace she lived in Rome in F6?
¡¡¡¡Answer:Because she couldn¡¯t bear the loneness in her palace.

¡¡¡¡12. Why did Joe Bradley pretend not to recognize Princess Ann at first in F6?
¡¡¡¡Answer:Because he wanted to catch the opportunity and made a lot of money.

¡¡¡¡13. What is the historical setting of the story in F7?
¡¡¡¡Answer:Before the war happened the south and the north. in 1861.

¡¡¡¡14. What is the love between Scarlett and Rhett like in F7? (Or why does Rhett never say ¡°I love you¡± to Scarlett though he loves her so much?)
¡¡¡¡Answer:They love each other deeply that beyond words could express.

¡¡¡¡15. In the beginning of the F8, Andy was accused of murdering his cheating wife and his lover, and was sent to Shawshank Penitentiary. Was he the real murderer?
¡¡¡¡Answer:No ,he wasn¡¯t.

¡¡¡¡16. What are the messages the story tries to convey to the audience in F8?
¡¡¡¡Answer:It tries to convey us the message that we should always remember freedom,friendship and hope.Never give up ,just head for what we stick..Let hope fill our heart all the time.

¡¡¡¡¢ò Write a review about one of the eight films you have watched in the class in about 300 words.(52%)

¡¡¡¡Jane Eyre ¡ª A Beautiful Soul
¡¡¡¡Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
¡¡¡¡We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
¡¡¡¡We remember her pursuit of justice. It¡¯s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
¡¡¡¡We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God¡¯s feet. Though there are differences in status¡¢in property and also in appearance, but all the human being are equal in personality.
¡¡¡¡We also remember her striving for life, her toughness and her confidence¡­
¡¡¡¡When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.

¡¡¡¡Actually, she wasn¡¯t pretty, and of course, the ordinary appearance didn¡¯t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ¡®the plain and ugly governess¡¯. But as the little governess had said: ¡®Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!¡¯ This is the idea of equality in Jane Eyre¡¯s mind. God hadn¡¯t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
¡¡¡¡In my mind, though a person¡¯s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn¡¯t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it¡¯s not true, they will like the person no more. For a long time, only a person¡¯s GREat virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ¡®Beauty is a heart enflamed and a soul enchanted¡¯. I can feel that how beauty really is, as we are all fleshly men, so we can¡¯t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can¡¯t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
¡¡¡¡Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.


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